Aldo Rossi (1931-1997) has achieved distinction as a theorist, author, artist, teacher and architect, in his native Italy as well as internationally. Noted critic and historian, Vincent Scully, has compared him to Le Corbusier as a painter-architect. Ada Louise Huxtable, architectural critic and Pritzker juror has described Rossi as "a poet who happens to be an architect."

Rossi was born in Milan, Italy where his father was engaged in the manufacture of bicycles, bearing the family name, a business he says was founded by his grandfather. While growing up during the years of World War II, Rossi’s early education took place at Lake Como, and later in Lecco. Shortly after the war ended, he entered the Milan Polytechnic University, receiving his architecture degree in 1959. Rossi served as editor of the Architectural magazine Casabella from 1955 to 1964.

Although early film aspirations were gradually transposed to architecture, he still retains strong interest in drama. In fact, he says, "In all of my architecture, I have always been fascinated by the theatre." For the Venice Biennale in 1979, he designed the Teatro del Mondo, a floating theatre, built under a joint commission from the theatre and architecture commissions of the Biennale. It seated 250 around a central stage. It was towed by sea to the Punta della Dogana where it remained through the Biennale. Rossi described the project in its site, as "a place where architecture ended and the world of the imagination began." More recently, he completed a major building for Genoa, the Carlo Felice Theatre which is the National Opera House. In Canada, the first Rossi project in the Western Hemisphere was completed in 1987 when the Toronto Lighthouse Theatre was built on the banks of Lake Ontario.

In his book, A Scientific Autobiography, he describes an auto accident that occurred in 1971 as being a turning point in his life, ending his youth, and inspiring a project for the cemetery at Modena. It was while he was recuperating in a hospital that he began thinking of cities as great encampments of the living, and cemeteries as cities of the dead. Rossi's design for the cemetery at San Cataldo won first prize in a competition in 1971, and is being built in stages.

At almost the same time period, Rossi's first housing complex was being built on the outskirts of Milan. Called Gallaratese (1969-1973), the structure is actually two buildings separated by a narrow gap. Of this project, Rossi has said, "I believe it to be significant, above all, because of the simplicity of its construction, which allows it to be repeated." He has since built a number of solutions to housing, from individual homes to apartment buildings and hotels.

The Pocono Pines Houses in Pocono, Pennsylvania represent one of his first completed buildings in the United States. In Galveston, Texas, a monumental arch for the city has been completed. In Coral Gables, Florida, the University of Miami has commissioned Rossi to design the new School of Architecture.

Other housing projects include an apartment building in the Berlin-Tiergarten district of West Germany, and another called Sudliche Friedrichstadt (1981-88). There have been numerous residence designs in Italy. His Il Palazzo Hotel and Restaurant Complex in Fukuoka, Japan is still another extension of his solutions for living quarters, completed in 1989.

When Rossi was introduced at Harvard to deliver the Walter Gropius Lecture, the chairman of the architecture department, Jose Rafael Moneo said, "When future historians look for an explanation as to why the destructive tendencies that threatened our cities changed, Rossi's name will appear as one of those who helped to establish a wiser and more respectful attitude."

Aldo Rossi portrait courtesy of Federico Brunetti.